The phrase is not about finding a magic file that clicks instantly. It is about changing your relationship with notation.

work in "decoding" Afro-Cuban jazz, particularly through his pedagogical series like Beyond Salsa Piano and his contributions to Timba.com . Rhythmic Architecture: The Clave as the Master Key

By doing this, you stop being a note-reader and become a . You will play the music not as it is written, but as it feels . And that, ultimately, is the only way to play Afrocuban jazz.