The fatal flaw of poorly written romance is the "perfect protagonist." We don’t fall in love with characters; we fall in love with their cracks . In a strong romantic storyline, the midpoint forces the characters to reveal their hidden wounds. Think of Elizabeth Bennet learning of Darcy’s true nature, or Noah reading his notebook to an Alzheimer's-stricken Allie. The relationship stops being a performance and becomes a confession.
A personality clash where a cynical, closed-off character is drawn to an optimistic, warm one. wwwtarzansextube8com hot