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These movements did more than expose predators; they exposed structural ageism. As women like Reese Witherspoon began producing their own content (Hello Sunshine), they actively sought scripts for women over 40. Witherspoon famously stated, "I was told at 35 there were no books for me to adapt." She responded by buying the rights to Big Little Lies , Little Fires Everywhere , and The Morning Show —all ensemble pieces centered on mature women.

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: Published in Tidsskrift.dk , this work by Niall Richardson examines the intersection of age, gender, and popular culture specifically in Anglophone cinema. These movements did more than expose predators; they