“The first time I heard the Fantasie in Professor Huber’s studio, I thought the clarinet was weeping. The notes are not just notes; they are questions. I tried to transcribe it, but the paper would not hold the silence. The composer gave us a secret: the score is not a map, but a mirror. If you look at it too closely, it disappears.”
, requiring the performer to play with high flexibility and "imagination". Extended Techniques: jorg widmann fantasie for clarinet solo pdf free