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A significant undercurrent of the film is the grief following the death of Pollo, Hache’s best friend. If the first film was about finding oneself through love, the sequel is about finding oneself through loss. The characters are forced to grow up, not because they want to, but because the world they inhabited in their teens has effectively ceased to exist. Babi has moved toward a conventional life, and Hache’s family remains fractured. The film suggests that growing up is less about reaching a destination and more about learning to carry the weight of those who are no longer there. Conclusion

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